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  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
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  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
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  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
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  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Between the Lines – The Legends of Hong Kong Printing


1/F, Thematic Gallery 5, Hong Kong Heritage Museum
7 October 2020 – 26 July 2021

Jointly presented by the Leisure and Cultural Services Department and the Hong Kong Open Printshop
Jointly organised by the Hong Kong Heritage Museum and the Hong Kong Open Printshop
Curated by the Hong Kong Open Printshop

Originally planned as part of the programme of IMPACT 11, the exhibition “Between the Lines – The Legends of Hong Kong Printing” opened at the Hong Kong Heritage Museum last year. The exhibition presents an array of interesting stories about two traditional printing methods: movable type and lithography. In addition to showcasing the lost art of traditional printing techniques, the exhibition illustrates how young designers are injecting their creative ideas into a new generation of printed products, reviving and transforming the tradition of movable type and letterpress printing.

The exhibition goes back to the beginning of the 19th century, when Robert Morrison left the UK and came to China as a missionary, where he led the development of letterpress printing in modern China. In those days, the “Ming typeface” designed by Anglo-Chinese College was known as the “Hong Kong Type” and was considered to be the most beautiful Chinese type. It was sold overseas and was used in The Chinese Classics, translated by James Legge, the English and Chinese Dictionary, with the Punti and Mandarin Pronunciation, compiled by Wilhelm Lobscheid, the Universal Circulating Herald, founded by Wang Tao, and The Self Educator, written by Johnson Sun to help Chinese labourers working in Australia learn English.

Lithography arrived in China in 1826 and became widely adopted within decades, as it was easier than woodblocks and cheaper than movable types. In 1884, Shen Bao issued the Dianshizhai Pictorial in Shanghai, the first image-based journal. This ushered in the new age of graphic storytelling, which was made possible by the introduction of lithography. By the 1930s, chromolithographic posters were a common sight. Thanks to the technology of colour separation, platemaking and subtractive processes, readers were introduced to vibrant colours in print and a more engaging visual experience.

Today, lithography has developed into offset printing, which is now the mainstream practice in the printing industry. Movable type printing is inscribed on the list of intangible cultural heritage. Many young people now aspire to revive traditional craftsmanship by exploring the possibilities of incorporating old printing techniques into contemporary designs.

Download the exhibition booklet:
https://www.heritagemuseum.gov.hk/documents/2199315/18411209/BTL_booklet.pdf

Watch the interviews of artists and printers:
https://www.youtube.com/channel/UCLQt9rjrFfReJe4wTrOSvng

View our letterpress printing demonstration:
https://youtu.be/Z5U35fafN0s

Thematic Exhibition

Between the Lines – The Legends of Hong Kong Printing

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