Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Programmes

Academic Paper

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Illustrated Talk

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NZ’s Print History | ka mua, ka muri: resetting the archive
Makyla Curtis
Leaving egos at the door: the thrill and challenge of collaborations
masha ryskin
Seeing Touch: the Woodburytype as Haptic Image
Constanza Dessain
The Permeability of Forms
Deborah Cornell, Richard Cornell

Exhibition

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Poetic landscape part II
Judith Elisabeth de Haan, Hoi I (Mel) Cheong
City—A group of Asia artists presenting their works as members of Macau Woodblock Print Association
Hoi I Cheong, Xiao Feng Chen, San Qing He, Ye Jian Liang, Kubo Naomi
SLOT
Tricia Treacy
potentia/potentiae(the voice project)
carolyn mckenzie-craig

Demonstration

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Waterless Lithography—An innovative, safe and simple techniques of planographic printing process
Siu Jane Liu
Mokuhanga—Watercolour-based Woodblock Print
Justin Larkin
From Calligraphy to Woodblock Printing
Chung-Chu Cheung
Chine-collé for pre-printed images with etchings and lithographs
Chunwoo Nam, Ryn Lim

Open Portfolio

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The State of—The International Portfolio Exchange
Sarah Epping, Charlotte Biszewski
Recent Prints: Embodied Memory and the Anthropocene
Jill Ho-You
Family 3D Portrait. Sculpture and Printmaking. History of one university project
Ioulia Akhmadeeva
Nightfall to Daybreak
Cheuk Yan, Glo Chan

Programmes
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  • Academic Paper
  • Illustrated Talk
  • Exhibition
  • Demonstration
  • Open Portfolio

Theme
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  • Print Art: The Legend and the Legacy
  • The Evolution of Print Technology: Past, Present and Future
  • Collaborative Communities: International Exchange, Residencies and Collaboration
  • The Power of Multiplicity: Printmaking as Social Engagement
  • Crossing boundaries
  • Between the Leaves: Book Art, Artist Books and Zines
  • Other

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  • PROGRAMMES
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The content of IMPACT 11 does not reflect the views of the Government of the Hong Kong Special Administrative Region and the Hong Kong Open Printshop Limited.