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Programmes
Academic Paper
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SEEING RED: Hacking anaglyph 3D to manipulate visual perception
David Lyons, Raz Ullah
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The Engaged Surface—Prints for Visual Sensory Perception
Carinna Parraman, Cecilia Mandrile, Fabio D'Agnano, Nat Roberton, Paul Goddard
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International printmaking projects at the Strzemiński Academy of Fine Arts Łódź, Poland: Summer Courses PATA, collaborative exhibitions, print conferences and symposia
ALICJA HABISIAK-MATCZAK
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Return to the Seas and the Rebirth of Romanticism
Sarah Epping
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Collaboration and the ‘Slippery’ Studio: Transitional Spaces in the Artistic Language of Alberta Whittle
Sandra De Rycker
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Making surfaces and exploring print based practices. The lost history of surface prepared papers
Marta Belkot, Graciela Machado
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Between Seeing and Reading: what relevance theory can reveal us about artists’ books?
Egidija Čiricaitė
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Embodiment. Bodily Engaged Printmaking.
Zuzanna Dyrda
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Passing Gestures: Prints, Reproduction, and the Invisibility of Otherness
Ben Rak
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Towards a vitreous printed syntax: Developing visual language through printed ceramic & glass media
Steve Brown
Programmes
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