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SEEING RED: Hacking anaglyph 3D to manipulate visual perception
David Lyons, Raz Ullah
The Engaged Surface—Prints for Visual Sensory Perception
Carinna Parraman, Cecilia Mandrile, Fabio D'Agnano, Nat Roberton, Paul Goddard
International printmaking projects at the Strzemiński Academy of Fine Arts Łódź, Poland: Summer Courses PATA, collaborative exhibitions, print conferences and symposia
Return to the Seas and the Rebirth of Romanticism
Collaboration and the ‘Slippery’ Studio: Transitional Spaces in the Artistic Language of Alberta Whittle
Sandra De Rycker
Making surfaces and exploring print based practices. The lost history of surface prepared papers
Marta Belkot, Graciela Machado
Between Seeing and Reading: what relevance theory can reveal us about artists’ books?
Embodiment. Bodily Engaged Printmaking.
Passing Gestures: Prints, Reproduction, and the Invisibility of Otherness
Towards a vitreous printed syntax: Developing visual language through printed ceramic & glass media