Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Collaborative Communities: Book Art


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Under the cover: Collaborative practices in artists’ books

Maja Dokudowicz

Printmaker, Artist, PhD Student, Printmaker, Artist, PhD Student

E.Geppert Academy of Art and Design in Wroclaw

Born in 1990, in Warsaw, Poland. She obtained bachelor degree in Culture Studies and master of art degree in Printmaking and Graphic Design. Now she is a PhD student in printmaking at the Eugeniusz Geppert Academy of Fine Arts in Wroclaw. In her artworks she analyzes the topics of memory and fragments in the context of the human condition. She’s working mostly in intaglio and relief techniques and she is creating artists’ books. She took part in more than 80 exhibitions worldwide and she had 5 solo exhibitions, obtained awards and honorary mentions.

Ioannis Anastasiou

Printmaker, Artist, Student

The E. Geppert Academy of Fine Art and Design

Born in 1995 in Athens, Greece. Currently a PhD student (provisionaly accepted) in The Doctoral School of The E. Geppert Academy of Fine Arts and Design in Wroclaw, Poland. Obtained Master Degree in Printmaking in Professor Xenophon Sachinis studio, School of Visual and Applied Arts, Faculty of Fine Arts, Aristotle University of Thessaloniki. Acquired an Erasmus+ scholarship for studies in The Eugeniusz Geppert Academy of Art and Design (2016/2017). His work includes social and political context researching the different aspects of memory. He incorporates the relief, intaglio and planographic printmaking techniques in creating 3-D objects, installations, artists’ books and prints. Taken part in over 50 collective exhibitions and competitions internationally. Won the 1st Award in two international competitions, as well as an honorary mention. Participant and lecturer in various lectures and workshops. Worked as a printmaking instructor running classes to adult groups, as well as for a short period in a public school, teaching art to children.

Before & After the Pandemic: Making Artist Books in Long Distance Collaborations

Katie Baldwin

Printmaker, Academic, Artist, Book Artist, Printmaker, Academic, Artist, Book Artist

The University of Alabama in Huntsville

Katie Baldwin is a printmaker and book artist who received her MFA from The University of the Arts in Philadelphia. She served as the Victor Hammer Fellow at the Wells Book Arts Center in Aurora, New York and is currently an Associate Professor at the University of Alabama in Huntsville.