Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Collaborative Communities: International Exchange and Residencies (II)


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Collaboration and the ‘Slippery’ Studio: Transitional Spaces in the Artistic Language of Alberta Whittle

Sandra De Rycker

Academic, Student, Arts Manager

Dundee Contemporary Arts and University of Edinburgh

Sandra De Rycker manages the Editions series at Dundee Contemporary Arts, based within the Print Studio facilities. She is currently a doctoral research candidate through the Scottish Graduate School of Arts and Humanities, working in partnership with the University of Edinburgh, University of St Andrews and Dundee Contemporary Arts. She holds an MA in Art History and Museum Studies from University of Cincinnati (USA) and spent time studying language teaching and Spanish at the University of Murcia (Spain) and the department of Romance Languages, University of Cincinnati. An experienced researcher and organiser of contemporary art programmes, before coming to DCA she worked in the curatorial department at the Contemporary Arts Center, Cincinnati and at Stephen Friedman Gallery, London.

China Cymru Collaborations: Developing Collaboration Between Changsha and Aberystwyth 2014-2015

Paul Croft

Printmaker, Academic, Curator, Artist

Aberystwyth University

PAUL CROFT Paul Croft is Lecturer in Printmaking at The School of Art Aberystwyth. Since qualifying as Tamarind Master Printer (1996), his research has focused upon technical, social, historical and contemporary aspects of British and International Lithography. He has published two seminal books on Stone Lithography (2001) and Plate Lithography (2003) and has curated exhibitions: Stone Plate Grease Water International Lithography 2007-8, Contemporary Chinese Printmaking 2014-16, Xiaoxiang Exhibition of International Printmaking 2015. He has exhibited his work in the UK, Ireland, USA, China, Australia and New Zealand. As a collaborating printer he has worked with artists from across the UK.

Liu Jing

Printmaker, Academic, Curator, Artist

Changsha Normal University

Liu Jing is Associate Professor of Printmaking at Changsha Normal University. He is also member of: China-Artists Association; The Printmaking and Mixed-Media Art Committees of Hunan Artists Association; and Vice-Director of Changsha Artists Association Printmaking Committee. Liu Jing’s work has won recognition at The 2019 China-Guanlan International Print Biennale; 5th Bangkok International Triennial; 5th Szeklerland Graphic Art Biennial and the 6th Hunan Art Festival. His work has been selected for the: 5th National Youth Exhibition; 22nd National Print Exhibition; 2018 Krakow Print Triennial; Macao Print Triennial; China Youth Print Exhibitions; 3rd China Print Exhibition and 6th Tokyo International Mini-prints Triennial

The Open Access Studio as Research Facility

Annis Fitzhugh

Printmaker, Head Of Print Studio

Dundee Contemporary Arts

Annis specialised in Printmaking at Slade and Central Schools of Art, London. Subsequently, alongside a teaching career, she maintained her practice using a range of print processes. For the past 20 years she has been Director of DCA Print Studio, where she introduced new, digital, and experimental technologies to be integrated with traditional print media. During this time DCA has presented some of the most vibrant and challenging work by both emerging and internationally respected artists. An important aspect of DCA programme is the production of editions with artists in the exhibition programme, for which Annis has been responsible.

Leaving egos at the door: the thrill and challenge of collaborations

masha ryskin

Printmaker, Academic

Rhode Island School of Design

Masha Ryskin is a Russian-born printmaker, painter, and installation artist who exhibits nationally and internationally. She received a classical education in painting before earning a BFA at Rhode Island School of Design and an MFA at University of Michigan. Ryskin is also a recipient of numerous grants, including a Fulbright and the Rhode Island Fellowships. She has collaborated with a number of artists, including Margaret Yuko Kimura (Cleveland, OH), and most recently with Serge Marchetta (Montreal, Canada). Together, Marchetta and Ryskin have exhibited in the United States, Canada, and Europe. Ryskin is Associate Professor at Rhode Island School of Design.