Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Intimately Printed: Printmaking as a Generative Process

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Before it fades

Eszter Sziksz

Printmaker, Artist, Printmaker, Artist

Ringling College of Art+Design

Eszter Sziksz is a Hungarian artist, and has traveled and lived in several countries from Asia to Europe. Her work blends printmaking, installation and video elements. She is an active artist and has shown at the regional and international level from Tokyo to Budapest. Her works were recently shown at the Hunderton Art Museum in Clinton, NJ; Santorini Art Biennial Greece; International Artists Collective Museo del Brigantaggio, Itri, Italy; Ice Hotel, Sweden; Krakow International Print Triennial, Poland; IMPACT10 in Spain; and IPCNY (International Print Center New York). Eszter's works were mentioned in Art in Print Magazine, Volume 5, number 2, and she was featured on the cover of Volume 7, number 6 as the Prix de Print No. 28 Award winner. After earning a BA from Eötvös Loránd University, Budapest, she made her way to Memphis College of Art where she completed her MFA in Studio Arts. Eszter recently finished a doctorate degree, DLA in Fine Arts, at Pecsi Tudomany Egyetem, Pecs, Hungary. Eszter's prints appear in collections at Pecsi Tudomany University, Hungary; Memphis College of Art- Presidential Purchase Collection; Szent Istvan Museum, Szekesfehervar, Hungary; University of North Florida; Santorini Biennial of Arts, Greece; and the International Artists Collective Museo del Brigantaggio, Itri, Italy.

teapots, bowls, cups and some spoons': Printmaking in Cheung Sha Wan MTR station, HK

Mariko Jesse

Printmaker, Illustrator, Printmaker, Illustrator

I am a printmaker and illustrator, and grew up in Hong Kong. I worked there for many years, and still travel there often. I studied at Central St. Martins College of Art and Design in London, where I went on to become an Associate Lecturer. I specialise in etching and mokuhanga. My work celebrates the patterns, colours and textures of different cultures, exploring sense of place. My prints are delicate, and have been admired for both their Asian and Western sensibilities. I exhibit internationally. I am currently based in Tokyo, and split my time between California, Asia and London. www.marikojesse.com

Moving Through: Coping and Joy

Heather Leier

Printmaker, Academic, Curator, Artist, Printmaker, Academic, Curator, Artist

University of Calgary

Originally from BC, Heather Leier received an MFA in Printmaking from the University of Alberta in 2016. Since then she has had solo exhibitions at the Ottawa School of Art, The Lake Country Public Art Gallery, Martha Street Studio, Alternator Centre for Contemporary Art, and the Society of Northern Alberta Print Artists. Her print work has been presented throughout Canada and the USA, as well as Spain, China, Poland, Taiwan, Bulgaria, Russia, Japan, Mexico, and Egypt. She recently relocated back to Alberta where she is an artist and Assistant Professor in The Department of Art at the University of Calgary.

  • WELCOMING & KEYNOTE SPEECH
  • WELCOMING & KEYNOTE SPEECH
  • WELCOMING & KEYNOTE SPEECH