Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Print Art: Legends and Legacy


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mark hunter

Printmaker, Artist

Artist Printmaker from Scotland, currently working at Dundee University as School Support Specialist (Printmaking). Have exhibited in UK, and also internationally as part of GANGHUT (artist collective). Given Presentations and Workshops in Waterless Lithography (ENDEGRA Lithotage 2012 , & IMPACT 8 Dundee 2013), and continue to practice both Waterless & Traditional Stone Lithography , as well as other forms of Print , along with Sculptural / Collage work.

Rediscovering traditionally printed Bazaar Art through emerging print technologies

Preeti Sood

Printmaker, Academic, Artist, Printmaker, Academic, Artist

Arts University Bournemouth

Preeti is an Indian artist/printmaker and researcher currently living and working in Southern England. She has a BFA in Printmaking from Chandigarh College of Arts and an MFA in Printmaking from Santiniketan, West Bengal. Sood also has a MA in Printmaking from Camberwell, UAL. She explores contemporary technology in conjunction with traditional printmaking. Preeti has taught at the University of Lincoln, where she was Artist Print Fellow, she incorporated printmaking into the curriculum at the British School in Delhi, and is currently working at the Arts University Bournemouth. Her practice relates to notions of fragmentation and decomposition, the sense of loss, and issues of cultural identity. Preeti’s delicate tissue-like images represents her own sense of being torn and displaced between and within cultures. Preeti is a recipient of John Purcell Paper award in 2016 and has held solo shows both nationally and internationally such as in Singapore, London, Lincoln and Delhi (India). She has exhibited internationally: New York, Austin, San Francisco, China,  Spain, Poland, Japan, Arizona, Sydney, Singapore, London, Delhi, and Canada. Sood was selected for major printmaking shows such as: National Original Print Exhibition at the Bankside gallery, Originals - Contemporary Printmaking Show at the Mall Gallery in London, Bite, Pushing Print and at the International Print Centre New York (IPNCY) in the 40th New Prints show—New Prints Autumn—where she exhibited alongside, Norman Ackroyd, Jessica Stockholder, Ed Ruscha, Alex Katz etc. The show toured to The University of Texas at Austin, Visual Arts Centre. Preeti has also taken part in print portfolios such as HOMEWARD at Southern Graphics International Conference, Atlanta, USA. In addition, she has sold at Affordable Art Fair, London; Art Summit, India; and Singapore Art Fair. Sood’s work has been incorporated into many collections both nationally and internationally. Her practice-based research has led to presentations, illustrated talks at International Printmaking Conference such as IMPACT (International Multi-disciplinary Printmaking, Artists, Concepts and Techniques) where she also conducted a master demonstration.

Polish(ed) print

Marta Kubiak

Printmaker, Academic, Curator, Artist, Printmaker, Academic, Curator, Artist

The Eugeniusz Geppert Academy of Art and Design in Wrocław

Marta Kubiak, born in Poland in 1985, is an artist, printmaker and researcher. She teaches at The Eugeniusz Geppert Academy of Art and Design in Wrocław where she received her MFA degree in 2009 and a PhD degree in printmaking in 2017. She is a winner of Grand Prix. The President of Kraków Award at the Grand Prix of Young Polish Print Competition in Kraków 2012. She works with printmaking techniques, especially serigraphy and polymer photogravure. In her artwork she constantly searches for the curious but at the same time intriguing, objects, landscapes and events.

Kanti—My Words

Veronica Calarco

Printmaker, Artist

Aberystwyth University

Veronica Calarco is an artist printmaker who is currently completing a practice led PhD in printmaking at Aberystwyth University. She is a co-director of Aberystwyth Printmakers and founder of artist in residence program Stiwdio Maelor. After completing a degree in Printmaking and a Postgraduate degree in Weaving at the Australian National University, Veronica worked for a decade as a community artist in Canberra, The Kimberleys and Alice Springs, until eventually deciding to concentrate on her own art practise. Veronica has participated in exhibitions and residencies since the 1990’s and completed significant community art projects in Australia and the UK.

Tae ki te toi: Colour in pre-European Māori art

Karol Wilczynska

Printmaker, Academic, Artist, Bookbinder, Printmaker, Academic, Artist, Bookbinder

Auckland University of Technology

Karol Wilczynska is an internationally recognised designer and published illustrator who has been working in the field for over 33 years. A Senior Lecturer at Auckland University of Technology and member of the management team for Communication Design, where she oversees the development of graduate and post-graduate students in the creative industries and continues to liaison with design industry practitioners. Ms Wilczynska is senior graphic designer, creative, doer, dreamer, printmaker, bookbinder, illustrator, photographer, painter and writer. A member of the International Designer Bookbinders UK, and Ladies of the Letterpress USA. Ms Wilczynska engages in research that includes the history of print in New Zealand, satirical poster art reinterpreting comments found in the public domain from prominent speakers within New Zealand and around the world, and hybridised methods of printing utilising old and new technologies including the making of ink resources found in the New Zealand natural landscape.

Alan Litchfield

Academic, Maker, Academic, Maker

Auckland University of Technology

Dr Alan Te Morenga Litchfield is of Māori and European descent, affiliating with the Ngāti Whātua, Te Rarawa, Ngā Puhi, and Tainui tribes of Aotearoa/New Zealand. In a life that has spanned varied occupations, he has also been director of a printing company and graphic design partnership, then from there getting involved in print/publishing systems when analog systems were digitalised. This engagement in design, publishing, systems design, database design and build, led into academic research. Dr Litchfield is now Director of the Service and Cloud Computing Research Lab at the Auckland University of Technology that focuses on emergent technologies, is a partner in the consulting firm AlphaByte, while pursuing making through Ruru Artesans. He is presently President/Past President of the Association for Information Systems (AIS) Special Interest Group on Philosophy in Information Systems and is deeply concerned about spiritual, ethical, and social issues that present as socio-economic and political inequality.