
Log in
Register
Forgot Password
Enter your email and we'll send you a link to reset your password.
Reset Password
Enter your new password below.
The Evolution of Print Technology: Past, Present and Future
The Engaged Surface—Prints for Visual Sensory Perception

Carinna Parraman
Academic
Centre for Fine Print Research, University of the West of England
Carinna is Professor of Design, Colour and Print, Director of the Centre for Fine Print Research, University of the West of England, Bristol, and Chair of Impact Multidisciplinary Printmaking Conference. She has recently been awarded £7.7 million from Research England in recognition of the Centre’s internationally acclaimed practical research into the artistic, historical and industrial significance of creative print practices, processes and technologies. Carinna’s work explores the relationship between the appearance of colour and texture, and 2.5D printing. She recently completed a book on “2.5D Printing: Bridging the Gap Between 2D and 3D Applications” for Wiley in 2018; and is part of Appearance Printing - European Advanced Research School (ApPEARS).

Lizzie Field
Centre for Fine Print Research

Fabio D'Agnano
Academic
CFPR/UWE
Fabio D'Agnano joins the Centre for Fine Print Research as an Associate Professor as part of Expanding Excellence in England investment from Research England. He has been working as the Director of the Digital Architecture Post graduate Master's Course at the Architecture University of Venice. He is also the founder and technical director of Tooteko, an innovative creative enterprise which combines 3D printing and electronic sensors in order to let blind and partially sighted people perceive works of art (www.tooteko.com). He is Curator of Immersive Architecture Conference Venice, AR-VR for Architecture and Cultural Heritage. He has co-curated the Educational Projects / Call for School of the European Makers Faire Rome, multiple conferences and was consultant for Triennale di Milano, as technology expert for the XXI exhibition- New Craft. He is author of the book 3DS Max per l'architettura.

Nat Roberton
Urban Design, City Planning, Architecture And Design
Bristol City Council / CFPR
Nat Roberton is programme manager for the Bristol Legible City Project and has a background in urban design, city planning, architecture and design. Bristol Legible City was the first project of its kind and is a unique and innovative concept to improve people’s understanding and experience of the city through the implementation of identity, information and transportation projects. The project has since inspired similar projects nationally and internationally. Nat is currently working on several development projects including an intelligent infrastructure project that is integrating sensor and communication technology into legible city street furniture, development of tactile mapping and a user-centred mapping project using citizen-generated data.

Paul Goddard
Student, Human-Computer Interaction
UWE
Paul Goddard recently completed an internship at the CFPR in collaboration with Bristol City Council, and will be continuing to work on a cross disciplinary final year project between CFPR and Computing. Paul has built his career around knowledge sharing, people and process management. Now an undergraduate Computing student at The University of the West of England, his interests include the Internet of Things, embedded devices and Human-Computer Interaction (HCI).
An interpretation of the evolution of print technology, past, present and future, through the printed history of 'Alice in Wonderland'

Stephen Hoskins
Printmaker, Academic
CFPR, UWE, Bristol
Stephen Hoskins is Professor of Fine Print and the founder of the Centre for Fine Print Research at the University of the West of England Bristol. Apart from being a practising printmaker with work in many international collections, Stephen is the co-founder of the IMPACT conference series, a past Chair of the Association of European Printing Museums, a Fellow and past vice-president of the Royal Society of Painter Printmakers and a member of the Arts and Humanities Research Council Advisory Board . His latest book is 3D Printing for Artists, Designers and Craftspeople, published by Bloomsbury Academic in February 2017
Making surfaces and exploring print based practices.The lost history of surface prepared papers.

Marta Belkot
Printmaker, Academic, Artist, Student, Printmaker, Academic, Artist, Student
Faculdade de Belas Artes da Universidade do Porto
Born in 1989 in Tarnowskie Góry, Poland. With an integrated master degree in engraving and drawing at the Academy of Fine Arts in Katowice, I’ve also studied at the Faculty of Fine Arts of the University of Porto and the Academy of Fine Arts in Lodz, Poland. In the same area, I’ve completed a professional internship at the University of Porto. As a visual artist, I’ve created objects, illustrations, drawings, photos, movies and graphics.

Graciela Machado
SEEING RED: Hacking anaglyph 3D to manipulate visual perception

David Lyons
Academic, Artist
Abertay University
David Lyons is an artist and academic leading the Computer Arts programme at Abertay University, Dundee Scotland. His artistic practice entails effective translation of perceptual concepts to aid accessibility and enhance understanding.

Raz Ullah
Artist, Musician
Manchester School of Art
Raz Ullah is a musician and sound artist whose work incorporates analogue and digital elements, interactive software, video projection and homemade instruments. He has presented audio-visual works in Paris, Prague, Hangzou, Manchester, Edinburgh and Dundee. A keen advocate of improvised performance, he performs regularly as a solo electronic artist as well as touring internationally with Jane Weaver (Fire Records).
- WELCOMING & KEYNOTE SPEECH
- WELCOMING & KEYNOTE SPEECH
- WELCOMING & KEYNOTE SPEECH