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Traversing Boundaries: Printmaking as Multidisciplinary Practice
‘Towards a vitreous printed syntax: Developing visual language through printed ceramic & glass media’
Steve Brown
Printmaker, Academic, Artist, Printmaker, Academic, Artist
Royal College of Art
Dr Steve Brown is acting Head of the Ceramics & Glass Programme at the Royal College of Art. He describes himself as an applied art printmaker. Over his 35-year career as a print-maker, Dr Brown has worked as a screen-printer for the textile industry, before leaving to complete a BA, MA and PhD at the RCA all focussed on creating imagery through vitreous materials and processes. He has since delivered three post-doctorate research projects: a massive porcelain restoration project for the V&A Museum utilising digital print processes and two others at the RCA, which focussed on developing digitally printed enamels for the tableware industry.
Sticks, Stones and Fonts: Lucy Skaer’s development of print as part of a multi-disciplinary practice
Annis Fitzhugh
Printmaker, Head Of Print Studio
Dundee Contemporary Arts
Annis specialised in Printmaking at Slade and Central Schools of Art, London. Subsequently, alongside a teaching career, she maintained her practice using a range of print processes. For the past 20 years she has been Director of DCA Print Studio, where she introduced new, digital, and experimental technologies to be integrated with traditional print media. During this time DCA has presented some of the most vibrant and challenging work by both emerging and internationally respected artists. An important aspect of DCA programme is the production of editions with artists in the exhibition programme, for which Annis has been responsible.
The Print Reconfigured: the use of the multiple in artists’ books
Maja Dokudowicz
Printmaker, Artist, PhD Student, Printmaker, Artist, PhD Student
E.Geppert Academy of Art and Design in Wroclaw
Born in 1990, in Warsaw, Poland. She obtained bachelor degree in Culture Studies and master of art degree in Printmaking and Graphic Design. Now she is a PhD student in printmaking at the Eugeniusz Geppert Academy of Fine Arts in Wroclaw. In her artworks she analyzes the topics of memory and fragments in the context of the human condition. She’s working mostly in intaglio and relief techniques and she is creating artists’ books. She took part in more than 80 exhibitions worldwide and she had 5 solo exhibitions, obtained awards and honorary mentions.
Ioannis Anastasiou
Printmaker, Artist, Student
The E. Geppert Academy of Fine Art and Design
Born in 1995 in Athens, Greece. Currently a PhD student (provisionaly accepted) in The Doctoral School of The E. Geppert Academy of Fine Arts and Design in Wroclaw, Poland. Obtained Master Degree in Printmaking in Professor Xenophon Sachinis studio, School of Visual and Applied Arts, Faculty of Fine Arts, Aristotle University of Thessaloniki. Acquired an Erasmus+ scholarship for studies in The Eugeniusz Geppert Academy of Art and Design (2016/2017). His work includes social and political context researching the different aspects of memory. He incorporates the relief, intaglio and planographic printmaking techniques in creating 3-D objects, installations, artists’ books and prints. Taken part in over 50 collective exhibitions and competitions internationally. Won the 1st Award in two international competitions, as well as an honorary mention. Participant and lecturer in various lectures and workshops. Worked as a printmaking instructor running classes to adult groups, as well as for a short period in a public school, teaching art to children.
Passing Gestures: Prints, Reproduction, and the Invisibility of Otherness
Ben Rak
Printmaker, Academic, Artist
University of New South Wales
An artist, educator, and independent curator, Ben Rak was born in California, in the United States, and grew up in Israel. He is presently working and living in Sydney, Australia, where he lectures at the University of New South Wales Art & Design. Rak holds a BFA in printmaking (2008) with first-class honours (2009) and an MFA (2013), both from the University of New South Wales. Rak has also curated touring exhibitions themed around the use of print process as metaphor, as well as exchange exhibitions with institutions such as The School of The Art institute of Chicage (USA) and Indus Valley School of Art & Design (Pakistan). Rak is currently undertaking a PhD at the University of New South Wales, where he is examining the phenomenon of ‘passing’ as a condition in both social life and art practice. He is interested in the capacity for the print to act as metaphor for contested identities and the agency afforded to the print when it passes as another medium.
- WELCOMING & KEYNOTE SPEECH
- WELCOMING & KEYNOTE SPEECH
- WELCOMING & KEYNOTE SPEECH