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  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
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  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
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  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Women in Print: Printmaking and Gender Politics

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How can the material and conceptual terrain of the copy/trace be used transgressively to critique gender power paradigms?

carolyn mckenzie-craig

Printmaker, Academic, Artist

national Art School

Carolyn Craig is an artist who works within the graphic mediums. She holds a PHD from the Queensland College of Art and teaches at the National Art School in Sydney. Her work has been a finalist in prizes such as the Burnie, Freemantle, Silkcut, Clayton Utz, Churchie, Bangkok Drawing and Print Triennial and the Marie Ellis Award in Drawing. Carolyn investigates the relationships of social power systems and how they are manifested in the gestural and language utterances of the body. Her material focus is in the intersection of indexical reprographic media and graphic drawing methodologies using traditional media in drawing and printmaking as well as new technologies in the digital arena. Of particular interest in the current JPEG Empire as manifest in the era of the bio- internet discourse.

Proposal:

How can the material and conceptual terrain of the copy/trace be used transgressively to critique gender power paradigms?

The Ethics of Creating Portraiture with Women Affected by Sexual Violence

Catherine Cartwright

Printmaker, Academic, Artist, Student, Printmaker, Academic, Artist, Student

University of Exeter

I am a doctoral student at the University of Exeter and the University of the West of England (AHRC funded) researching portraiture and trauma, where printmaking will form a focus for the practice elements. I graduated from University of the West of England with a distinction in Multidisciplinary Printmaking. Recent commissions include the National Memorial Arboretum (2018) for their Armistice commemorations and the University of Exeter (2019) #Urgency commission on facial recognition technologies. Selected for exhibitions including, New York’s International Print Center (New Prints 2018) and Bury Art Museum (Prints: A Catalyst for Change 2019). Featured artist in “The Printmaking Ideas Book” Ilex Press 2019. Contributing writer to Printmaking Today.

Proposal:

The Ethics of Creating Portraiture with Women Affected by Sexual Violence

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