Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Proposal Abstract

I would like to present The Strzemiński Academy of Fine Arts Łódź as an important centre of research in printmaking and an institution encouraging international artistic projects, such as ‘International Summer Courses — Printmaking and Textile Art (PATA)’, multidisciplinary exhibitions, conferences and printmaking symposia.

The academy is a state institution of higher education in the third largest Polish city of Łódź. Each year, about 1,500 students study different disciplines of fine art and design here.

In summer, artists, students and art lovers from all over the world come to Łódź to participate in our summer courses. As the initiator and coordinator of seven editions of PATA, I can say that the project has become an important platform of cooperation between artists representing different cultures and education. The aim of research at PATA is to encourage the interplay between printmaking and other art disciplines, especially textile art, which has a strong tradition in Łódź. Therefore, the programme of the courses includes textile art, textile print, handmade paper and conceptual art.

Well recognised teachers of our Academy and guest foreign artists are invited to conduct the courses. They include Yuji Kobayashi, Jose Guillen Ramon, Kestutis Vasiliunas, Alicia Candiani, Renata Papista and Marilene Oliver.

Other international projects include the printmaking symposia at the International Artistic Centre KAUS Urbino, Pure Print conferences organised by prof. Graciela Machado from Porto and Carmo Chiado and ‘Heart of Darkness’—a project coordinated by prof. Jose Quaresma from the Lisbon University. We participate in this project each year since 2013, realising prints inspired by works of literature, and organising exhibitions and print conferences with professors and students from different Academies in Europe, Brazil, South Africa and Australia. Exchange exhibitions of print and textile art were organised with Valdosta State University in the USA and with Alberta University in Canada.

All these projects encouraged international cultural exchange and allowed us to explore new possibilities in old and new technologies.

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Academic Paper

International printmaking projects at the Strzemiński Academy of Fine Arts Łódź, Poland: Summer Courses PATA, collaborative exhibitions, print conferences and symposia

ALICJA HABISIAK-MATCZAK
Printmaker, Academic, Curator, Artist, Printmaker, Academic, Curator, Artist
The Strzemiński Academy of Fine Arts Łódź