Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Proposal Abstract

Art Horizon Printmaking Workshop invites seven innovative artists to join the ‘HONG KONG LIFE’ exhibition. The ideas of the seven artists are initiated by Hong Kong daily events or are evoked by Hong Kong social issues or incidents. They are not only conveying their ideas by traditional printmaking techniques but also involve contemporary media with crossing boundaries.

 

The exhibition features seven artists’ works.

Their themes are related to Hong Kong events which are visualised by contemporary media with emphasis on experimental hybridisation.

Liu Siu Jane’s ‘ELEGIAC COUPLE : HELLO! HONG KONG 2019’ conveys her deep emotional feeling which is aroused by the ‘Anti-Extradition Bill’ movement 2019 in Hong Kong. The series is created in various mediums including digital image, intaglio and video.

Ma Kwai Shun’s ‘TREE DISASTER 2’ was generated from the super typhoon Mangosteen which hit the city in September 2018. It aroused the public’s concern about the policy of tree planting and issues of environmental protection. Rubbing is produced on-site using crayon and Chinese rice paper.

Wendy Wong Lai Lan’s ‘Let’s Get Some Fresh Air’: The dense, chaotic and challenging cityscape of Hong Kong has inspired her favourite motifs, including human figures, animals, buildings and nature through mixed media.

Wilson Lam King Ting’s ‘Central’ is created by intaglio. It is inspired by the symbolic features of cotton trees through which to reflect his concern about the local environmental issues.

Leung Hui Yin’s ‘Umbrella Tree’ is inspired by the Occupy Central Movement, 2014, Hong Kong. Yellow umbrella is the symbol of the movement. Leung also extends the idea to the Hong Kong event in 2019 with relief printing, self-inking stamps, installation etc.

Kaya Cheung Chin Hang’s ‘Drain Cover’: By using epoxy resin adhesive to produce the artwork, he intends to recreate the perception of drainage cover and direct the audience to reflect on the issue of urban development and cultural conservation.

David Jasper Wong Tai Wai is a dog lover. His concern is about dog abuse as well as animal protection. Dog becomes Wong’s major image and always appears in his work.