Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Proposal Abstract

Having grown up prior to, and during the Internet age, artists Jenny Robinson and Katherine Jones have a deep attachment to the physical world of paper and books as well as to the virtual pages and scrolls of the screen.

Through their virtual presence, Jones (London) and Robinson (San Francisco) have been witness, over time, to each other’s artistic character and development, building up a picture of the other’s work and motivations through new media.

Subsequent to the first meeting in 2019, Jones and Robinson decided to embark on a collaborative project that encompasses their artistic concerns, placing particular importance on drawing and experimentation as a starting point, employing non-toxic printmaking methods to realise the work.

The aim of the ‘Recto Verso’ project is to create two large collaborative prints to be hung together like the folded pages of a book, linking a suite of each artist’s recent prints.

The term ‘Recto/Verso’ originally referred to two-sided panel paintings dating as far back as the 15th century and later became associated with the pages of a book. ‘Recto’ in Latin means right or correct and ‘Verso’ means changed or turned as in the underside of an unturned page.

While there are clear aesthetic parallels between their practices, each artist’s particular motivations and intellectual journeys are quite separate. The collaboration will build directly from ongoing projects and concentrate on forging conceptual, visual and physical links across continents in pursuit of gaining real insight into one another’s process.

Working remotely each artist will start the visual dialogue with a ‘Recto’, and will continue to exchange and discuss ideas in order to connect the works that will not be seen together until the end of the project—when the paper is seamed together for IMPACT 11, Hong Kong.