Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Proposal Abstract

The Proximity project that I am proposing to exhibit at IMPACT 11 is a body of work that forms part of my PhD project called ‘Moving Still’. Where the aim of the research is to explore how digitally influenced and abstracted printing methodologies may be developed to extend environmental perceptions of natural conditions. With a focus on how the effect of print-based image filters such as the bitmap or halftone dot on images of the natural world may extend the reception and perception of depicted environmental atmospherics. The intersections of analogue and digital image print techniques, which are essential to my theoretical and studio practises, are used to provide a concurrent exploration of place and space. I am also interested in how the internal and external visions of time suggested within a single work are contrasted and combined using ‘old/slow’ and ‘new/fast’ printing technologies.

These works begin as photographic snapshots taken while in transit, from which I create hand-made collages. They are then screenprinted in 3 colour separations (cyan, magenta, yellow) which while still wet are flooded or dripped with water coloured or in the case of some left out in the rain. The individual separations are then scanned and combined digitally to reconfigure the image. This is then outputted using a large-scale digital printer. I then make further hand interventions with watercolour, flocking and stamping.

I have included images of two of the large works that measure 140cmx100cm and 100cmx140cm. Depending on the space I would like to exhibit between two to eight of these works of a similar size. I have also included an image of two of the three concertina artist’s books in progress which measure approximately 30cm x 100cm from the same body of work. If accepted they will be shown together for the first time at IMPACT 11.