Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Proposal Abstract

I gathered one Yulin Artist, one Hong Kong Artist, and with me from Macau to think about what topic should be presented as the first exhibition for Macau Woodblock Print Association. I have established this association to set up a platform to bring together Asia woodblock artists to the world. We have agreed on the topic ‘City’. City has no borders, it is not a country, in the globalised setting, a city can give you a little background of what culture you experience, but cannot define yourself. 

With this idea in mind, I was worried that everyone will go back and make a landmark of the city that they are living in. However, the results say a thousand words.

Now I look back at the artworks that I gathered, they come from Fukuoka, Guangxi, Hong Kong, Hubei, Macau and Shenzhen, but the topic ‘City’ generated a more profound idea. It is not about a place, the works are always about the people surrounding us or things that we get into and inspire us.  

Art is borderless, for this reason, I hope you can enjoy our first collaboration.

 

Mel Cheong

Curator of “City”

Chair of the Board of Directors of the Macau Woodblock Print Association

 

序——「城市」

早前於2018年,我聚集了一位台中藝術家和一位香港藝術家,與來自澳門的我,一起思考澳門木版畫協會的第一場展覽應該是什麼主題。我成立這個協會,以建立一個平台,將亞洲的木版畫藝術家,推向世界。我們很快地就「城市」作為主題達成了共識。城市無國界,亦不是國家,在這種全球化的背景下,所在的城市可以提供觀眾一些文化的背景,卻無法定義一個人。

考慮到這個想法,我原本擔心每個人回過頭來為他們居住的城市做一個地標的作品,亦再三與澳門區的會員說道若有誰要以大三巴為作品,千萬要先提出。但是,就結果而言我一早擔心太多了。

現在,我回顧一下我收集的藝術品,它們來自福岡,廣西,香港,湖北,澳門和深圳,我看到大家對「城市」這一主題產生了更深刻的想法。「城市」不是等於某地方或某地標,「城市」是圍繞著我們的人或啟發我們的事物有關。

藝術無國界,因此,希望您能細心欣賞我們的首次展覽。

 

澳門木版畫協會理事長
「城市」策展人

張凱儀