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  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Proposal Abstract

In 2019, 31 artists from around the world took part in a Print Exchange entitled ‘The State Of (2019).’ The exchange was in answer to a question posed by critique Richard Noyce at a printmaking conference about ‘Reinventing the Matrix’ held in Wroclaw, Poland. He asked the audience of artists, ‘What are you doing?’ Specifically in regards to why they make art, and how they are using the medium of print to share knowledge about the world. Each artist picked a social, political or environmental topic related to their country or passions and together created a visual testament to the state of the world in 2019. There have been a total of 12 exhibits curated internationally. Therefore the answer to the question, was that this group of artists is using print to speak truthfully and explicitly about the epoch in which they are living. Using print as a visual history of thought.

Artists:

Raquel Amat, Spain

Kamilla Bednarska, Poland

Charlotte Biszewski, England

Łukasz Butowski, Poland

Charlotte Clauzel, France

Priscilla Romero Cubero, Spain/Puerto Rico

Han Xu Dong, China

Sarah Epping, USA

Victoria Goro-Rapoport, USA/Russia

Philipp Haucke, Germany

Magdalena Hlawacz, Poland

Kitty Hubbard, USA

Maciej Jaroszczuk, Poland

Anna Kodź, Poland

Wojciech Kołacz, Poland

Renata Kurczyńska, Poland

Sylvia Lesniewski, Canada

Debora Oden, USA

Kristina Paabus, USA

Laure Pontacq, France

Tatiana Potts, USA

Paweł Puzio, Poland

Katarzyna Roman, Poland/Norway

Dominika Surmacz, Poland

Katarzyna Tereszkiewicz, Poland

Filip Trnka, Czech Republic

Anna Trojanowska, Poland

Monika Walenciejczyk, Poland

Mumu Wang, China

Samira Zamani, Iran

Guanchu Zhu, China

Caption
All Programmes
Open Portfolio

The State of—The International Portfolio Exchange

Sarah Epping
Printmaker, Academic
Akademia Sztuk Pieknych
Charlotte Biszewski
Printmaker, Student
Eugeniusz Geppert Academy of Art and Design

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