Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Proposal Abstract

The exhibition combines environmentally sourced materials from Aotearoa/New Zealand in the making of sustainable inks for letterpress art practices. The use of colour is described by William Colenso, of pre-European Māori techniques, offering a significant legacy from which the contemporary printmaker benefits. Since many of the materials used at the time were subject to decay, few pristine examples survive to show how colour was used.

The works represent materials (rauemi) sourced from the natural environment (taiao) to prepare inks from native flora (ngā otaota) and coloured soils and minerals (ngā tae oneone). The prints provide an array of colours from pale yellows to cool greens, blacks of various kinds, white, browns, and reds. The pieces are printed in multiples to demonstrate options for printmakers who wish to use sustainable materials from their own natural environment.

The legacy to continue the study of using colours described, to create letterpress relief printing inks from natural sources for printed works. To make use of substrates made from locally produced materials, iconographic representations of the source materials and artefacts produced by those that Colenso would have encountered. We start with a printed form developed from original images that are rendered into flat colours (ink making process), plates produced that link to the natural non-toxic environment. The use of old and new technologies complement each other in the series of work. These being plates made from 3mm Medium-density fibreboard (MDF) hand carved and cut. The Hunangāmoho (plumed tussock grass image drawn), separated into three colours to create contemporary prints. A green clay (in the northern part of the country) was the one colour that was most difficult to locate locally. White, cream, grey, yellow, brown clays were combined with the two-tone green clay (green sand) to offer colour definition in subtle ways.