Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Proposal Abstract

Floating an inch above the floor is a series of prints. First you approach an image of a broken pot and as you do, tiny gold hearts emerge from the surface. Moving deeper into the space, delicate relief prints of objects hold your gaze downward, followed by images of purple petals. Like the broken pot, upon closer look, gold emerges but this time it is shimmering plastic wrappers. Towards the back of the space, peaks of an accordion book garner your attention and upon closer look, the delicate text becomes apparent reading, ‘information gladly given but safety requires avoiding unnecessary conversation’. As your gaze finally moves upwards, wonder consumes you as you curiously inspect six confetti-filled frames. From left to right, beyond the confetti, there are single words that when strung together read ‘there isn’t room for inconsequential feelings’.

My negotiations of public space and movement across boundaries are informed by my experiences with and memories of traumatic public gender-based violence. As a research method, I embody the coping mechanism of looking down: as I negotiate daily life, often looking down, I collect images, make notes, and collect objects that garner my attention. This collection is then used during the production of much of my work.

Through this exhibition I endeavour to present a reflection on the intertwined nature of personal trauma and environmental crisis. I draw attention to waste as both an embodiment of my trauma- as only noticed because of looking down—and as unattended to refuse. I will present how joy and care can be coping strategies which when personally exercised, can allow for survival through our individual trauma, and when applied to the environment, can be frameworks to, at best, aid in the crisis we are in, and at worst, cope with being in the end-times.