Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
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  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Proposal Abstract

In order to examine the establishment of a collaborative community within Splitgraphic—a contemporary printmaking biennial in Split, Croatia—during the last 15 years, I shall assume an organisational point of view here. Splitgraphic biennial is a valuable example of how contemporary art biennial functions in practice by constantly being concerned with the future of printmaking, new styles and techniques through collaborations with artists and other printmaking events. Splitgraphic questions how to present styles and techniques in printmaking today in the set form of a biennial exhibition. While these concerns appeared in 2003, Splitgraphic—today in its ninth running edition—is still establishing and putting together various diverse approaches of printmaking. My topic of presentation refers to the fact that, especially since 2013, Splitgraphic has been dealing with the idea of its own sustainability as an event, while at the same time striving to explore the sustainability of graphic art as a medium. Sustainability of the event is achieved by constant organisational changes, which reinvent the ideas behind the traditional form of the biennial, collaborations, selection of works and curators. To achieve sustainability, Splitgraphic has embarked on numerous collaborations with international artists and curators whether at home in Split or abroad. I will present examples of exhibitions, works, artists and concepts that Splitgraphic has considered while retaining an interest and respect for traditional printmaking techniques and introducing new ones. We presented established artists, but also emphasised student work as the future of printmaking. This paper will touch upon the building of an international network of relationships and collaborations with artists and biennials, triennials and graphic centres important for Splitgraphic, which stems from a small European country. Changes and collaborations are imminent for Splitgraphic in order to remain as the only international event in our community. In 2020, Splitgraphic is still welcoming collaborations and changes that come with it.

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Illustrated Talk

Splitgraphic biennial 2003-2021—Establishing Sustainable Collaborative Graphic Community

Marina Petit
Curator
Splitgraphic Biennial / www.splitgraphic.hr