Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Proposal Abstract

Birmingham School of Art has a long history as a place of artistic inquiry. Central to the school is a thriving print community supporting students and staff whose practice concerns are explored through printmaking.

Our proposal is for a Group Artists Book including PG students, staff, and artists in residence. As an international community of printmakers, their work reflects a multiplicity of print techniques underpinned by diverse theoretical and philosophical interests. However, what ties them together is the language of the printed outcome in its mutable forms. Chance meetings occur as printmakers find themselves in the same space at the same time, yet in the midst of collective material encounters. All artists are members of the Material Encounters Research Cluster based at Birmingham School of Art.

Our original proposal was to produce and exhibit a physical collaborative artist book in an edition of 15. However, the pandemic has prevented that being made and as IMPACT 11 will be virtual, we will produce an electronic book to be presented and shared online.

The book will reflect the artists’ works that respond to global issues and theoretical discourses in creative practice at this point in a global crisis. The group will draw upon their developing and testing of modern applications such as laser engraving, photographic processes, digital and traditional print media including intaglio, litho, silk screen, wood and linocut. The proposal reflects the breadth of practice borne out of having met and worked in a single location, a place of learning, yet fundamentally a place of encounters that are instantaneously individual, creative and material in creating a legacy for others.

 

Full screen book:

https://www.flipsnack.com/B89C555569B/impact-11-part-1-v7jaz11wb1.html

Video:

https://mailbcuac-my.sharepoint.com/:v:/g/personal/edward_turpie_mail_bcu_ac_uk/EcHnWw96_CxBpeBXj6Tv8ecBYhWVExA-R52S9uLH1nxIEw?e=Cs3DwQ

Exhibition

Legends and Legacy Between. Collaborative Artists Book, Birmingham School of Art

jonnie turpie
Printmaker, Artist
Birmingham City University