Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

Your account is created!

Please login and fill in your personal information.

Time Preference

*All dates and times shown are in Hong Kong Time (GMT+8).

Maybe later

menu

close

Register
  • Conference Proceeding
    • Conference Proceeding
    • Conference Proceeding
    • Conference Proceeding
    • Conference Proceeding
    • Conference Proceeding
  • Conference Schedule
    • Conference Schedule
    • Conference Schedule
    • Conference Schedule
    • Conference Schedule
    • Conference Schedule
  • Programmes
    • Programmes
    • Programmes
    • Programmes
    • Programmes
    • Programmes
  • Passes
    • Passes
    • Passes
    • Passes
    • Passes
    • Passes
  • Between the Lines – The Legends of Hong Kong Printing
    • Between the Lines – The Legends of Hong Kong Printing
    • Between the Lines – The Legends of Hong Kong Printing
    • Between the Lines – The Legends of Hong Kong Printing
    • Between the Lines – The Legends of Hong Kong Printing
    • Between the Lines – The Legends of Hong Kong Printing
  • 20/20 Hong Kong Print Art Exhibition
    • 20/20 Hong Kong Print Art Exhibition
    • 20/20 Hong Kong Print Art Exhibition
    • 20/20 Hong Kong Print Art Exhibition
    • 20/20 Hong Kong Print Art Exhibition
    • 20/20 Hong Kong Print Art Exhibition
  • About IMPACT 11
    • About IMPACT 11
    • About IMPACT 11
    • About IMPACT 11
    • About IMPACT 11
    • About IMPACT 11
  • About HKOP
    • About HKOP
    • About HKOP
    • About HKOP
    • About HKOP
    • About HKOP
  • Acknowledgements
    • Acknowledgements
    • Acknowledgements
    • Acknowledgements
    • Acknowledgements
    • Acknowledgements
  • Support Us
    • Support Us
    • Support Us
    • Support Us
    • Support Us
    • Support Us
  • Contact Us
    • Contact Us
    • Contact Us
    • Contact Us
    • Contact Us
    • Contact Us

My profile

Note: Please fill in the requested fields to proceed. You may return and edit later.

Please fill in this required field.
Please fill in this required field.
Please enter a valid email.
Please fill in this required field.
Please fill in this required field.
Printmaker
Academic
Curator
Artist
Student
Others:
Please enter a valid email.
Please fill in this required field.
I would like to receive news of HKOP and IMPACT 11 by email.

Register

I Read and Accept Terms and Conditions

Proposal Abstract

The State Of Print is a proposition; it is an evolving visual declaration initiated by a collective of artists beguiled and amused at the catastrophe of current social and political thinking and the comedy of established systems of governance.

The artists have therefore elected to cast adrift on a nonsense of their own (print)making—a makeshift non-geographical region built up on a fluid statute of ink and a constitutional raft of recycled cardboard. The intention has been to explore the current state of nations through the proposition that everything that formalises a nation state is printed—currency, maps, laws, passports, governance, news and information, cultures, doctrines and communications and so on…

At a time when the current state of nation power globally is inflexible and dogmatic, this project provides a creative and theoretical antidote to the current paradigm. The State of Print can manifest itself in response to any space, at any time, to provide a platform for activity, image production, poetry, debate, performance, music and film.

This paper will document the emergence and evolution of the State of Print—from the initial publication of its manifesto to its realisation as a physical entity, albeit an ephemeral and transitory one. It will cover the dialogue that has taken place over the two-year evolution of the project regarding the role of printed matter in the formalisation of any nation state—and the production of state sanctioned print paraphernalia, such as currency, official documents and propaganda in relation to themes such as identity, place and culture.

As an evolving and incrementally expanding project, the State of Print has been manifested in a variety of forms and a series of locations, such as Dundee, Aberdeen, Santander (IMPACT 10), Barcelona, Norwich, Preston, Cork and next in Limerick (November to February 2020). At each location/venue, additional/local artists contribute to the State and elect to become citizens. They currently total over 100. This paper will chart the history of the State of Print and discuss aspects of the issues raised around its inception and development—with particular reference to the relationships between PRINT and STATE.

*Note: This paper will be contextualised in the associated Exhibition ‘STATE OF PRINT (SOP): The history and legacy of the State’, featuring artists Paul Liam Harrison, Catherine Hehir, Scott Hudson, Des MacMahon, Noelle Noonan and Suzannah O Reilly. http://stateofprint.com/

Photographed by David P Scott. All rights reserved.
Photographed by David P Scott. All rights reserved.
Caption

Oops

Looks like you do not have access to this section

This content requires purchase of access pass. If you have already purchased a pass, please login to view this section.

Buy Pass

Login
All Programmes
Illustrated Talk

STATE OF PRINT (SOP): The history and legacy of the State

Paul Harrison
Printmaker, Academic, Artist
DJCAD/University of Dundee

All rights reserved. IMPACT 11 © 2024

The content of IMPACT 11 does not reflect the views of the Government of the Hong Kong Special Administrative Region and the Hong Kong Open Printshop Limited.