Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Proposal Abstract

I am proposing to exhibit selections from ‘Inversion’, a body of both traditional and experimental print work that explores themes of environmental precariousness, societal collapse, and the current anxieties regarding the sustainability of the ecosystem and humanity. These five projects speculate the future of Earth by imaging the world: if the Anthropocene reaches its predicted negative climax of uninhabitable global warming, shrinking biodiversity, and unsustainable human consumption. I am open to the jury selecting which projects would be suitable given the available exhibition spaces/venues.

Inversion’, is a 4’ x 5’ etching on rice paper that subverts traditional conventions of panoramic landscapes and scientific diagrams. The print depicts the potentially damaging and complex relationship between natural resource extraction and the landscape. ‘Inversion’ can be mounted directly on a wall using water-soluble rice glue. ‘In the Dust’ and ‘Absolute Zero’ are two series of 20” x 16” etchings (five prints per series for a total of ten) that imagine the Earth after the extinction of human civilisation. Surreal landscapes mix together references to the body, architectural ruins, and geological formations. The prints can be hung in frames or with magnets.

There are two experimental print-based new media works for consideration. ‘Retrograde’ is a hybrid bioArt/print-based installation which involves growing bacteria and mould on etchings embedded in cultured Petri dishes. The bacteria and moulds that grow are swabbed from harmless sources and represent the organisms projected to survive if a mass extinction occurs due to extreme climate change. ‘Retrograde’ can be displayed on a plinth (size variable) or shelves attached to a wall. Accompanying ‘Retrograde’ is a projection that documents the lifespan of the Petri dishes through time-lapse video. The two-channel video shows Petri dishes in perpetual loops of incubation, growth and decay.

The video can be viewed here: https://drive.google.com/open?id=1e_oJuS_OHRm7hAkUx9YxaFD6O2vKwg1N