Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Artist Biography

Martyna Rzepecka – visual artist, she was born in 1989 in Poznan, Poland. In 2017 she got PhD art diploma on the Faculty of Fine Arts, at the The Nicolaus Copernicus University in Torun, Poland. She is graduade of Printmaking and Art Eduaction of home university. In 2011-2012 she was studing on the Faculty of Fine Arts and Design (ALUO), at the University of Ljubljana (Univerza v Ljubljani).
Martyna Rzepecka is devoted in linocut processing. Now she merges her fascination in traditional printmaking with new media, like: interactive installation, an object, a video installation. For her is important relation between the artist and the viewer – a border in reception of knowing the artwork. She tries make a space of receipt her art, where important are senses and carnality. She is fascinated in human sexuality and sensual understanding of reality. She explore this themes in her art, where important for her is matrix context (graphic matrix) – as matter.
Martyna Rzepecka participated in about 60. international and national exhibitions. F. ex. The 6th Indonesia International Print Triennial – Bentara Budaya Jakarta (2019), Hit Festival – Haugesund International Festival of Artistic Relief Printing, Haugesund Art Gallery, Norway (2019), Tokyo International Mini-Print, Japan (2018), Post-digital graphics. Redefinition of a graphic print, Neon Wroclaw Gallery – Wroclaw, Poland (217), The Masters -Relief Prints, Bankside Gallery – London, England (2015), 5th Guanlan International Print Biennal – China (2015), Grand Prix of Young Polish Graphic Art during the International Print Triennial – Krakow, Poland (2012).
Nowadays she is an assistant in Drawing Department at The the Faculty of Fine Arts at The Nicolaus Copernicus University in Toruń, Polandand the lecturer on the graphic specialization at The Faculty of Information Technology and Visual Communication, in Collegium Da Vinci in Poznan, Poland.

Artist bio

Martyna Rzepecka

Printmaker, Academic, Artist, Printmaker, Academic, Artist

The Faculty of Fine Arts - The Nicolaus Copernicus University in Toruń, Poland Collegium Da Vinci in Poznań, Poland