Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Artist Biography

Preeti is an Indian artist/printmaker and researcher currently living and working in Southern England. She has a BFA in Printmaking from Chandigarh College of Arts and an MFA in Printmaking from Santiniketan, West Bengal. Sood also has a MA in Printmaking from Camberwell, UAL. She explores contemporary technology in conjunction with traditional printmaking. Preeti has taught at the University of Lincoln, where she was Artist Print Fellow, she incorporated printmaking into the curriculum at the British School in Delhi, and is currently working at the Arts University Bournemouth. Her practice relates to notions of fragmentation and decomposition, the sense of loss, and issues of cultural identity. Preeti’s delicate tissue-like images represents her own sense of being torn and displaced between and within cultures.

Preeti is a recipient of John Purcell Paper award in 2016 and has held solo shows both nationally and internationally such as in Singapore, London, Lincoln and Delhi (India). She has exhibited internationally: New York, Austin, San Francisco, China,  Spain, Poland, Japan, Arizona, Sydney, Singapore, London, Delhi, and Canada. Sood was selected for major printmaking shows such as: National Original Print Exhibition at the Bankside gallery, Originals – Contemporary Printmaking Show at the Mall Gallery in London, Bite, Pushing Print and at the International Print Centre New York (IPNCY) in the 40th New Prints show—New Prints Autumn—where she exhibited alongside, Norman Ackroyd, Jessica Stockholder, Ed Ruscha, Alex Katz etc. The show toured to The University of Texas at Austin, Visual Arts Centre. Preeti has also taken part in print portfolios such as HOMEWARD at Southern Graphics International Conference, Atlanta, USA. In addition, she has sold at Affordable Art Fair, London; Art Summit, India; and Singapore Art Fair. Sood’s work has been incorporated into many collections both nationally and internationally. Her practice-based research has led to presentations, illustrated talks at International Printmaking Conference such as IMPACT (International Multi-disciplinary Printmaking, Artists, Concepts and Techniques) where she also conducted a master demonstration.

Artist bio

Preeti Sood

Printmaker, Academic, Artist, Printmaker, Academic, Artist

Arts University Bournemouth