Terms & Conditions

  • Once your proposal submission is received, you will be sent an email to confirm receipt. If you do not receive a confirmation email within 7 days, please contact us to ensure your proposal has been successfully submitted. HKOP and IMPACT 11 team will not be liable for any non-arrival of proposal submission information.
  • If your proposal is selected, at least one representative from your group or organisation should be present at IMPACT 11 for the set up and presentation. If special arrangements or equipment is required, requests must be made clearly in the proposal submission for our consideration.
  • Registration fees should be settled via online payment. Cash and cheques will not be accepted. Registration will only be considered complete once the registration form and payment have been received. Payments not received in full prior to the event may result in entry being denied. No cancellation is accepted. Registration fees for IMPACT 11 are not refundable. If a participant is unable to attend and would like to transfer the registration to another person, approval will be determined by the HKOP & IMPACT 11 team on a case-by-case basis.
  • No responsibility is assumed by HKOP, the organiser or the speakers/authors for any injury and/or damage to persons or property as a matter of product, negligence or otherwise, or from any expectation regarding the event, use or operation of any methods, products, artworks, instructions or ideas presented at the event or contained in the notes.
  • By entering the event premises, you consent to being photographed or filmed by the HKOP and IMPACT 11 teams, and to the organiser’s use and publication of audio recording, video recording in any and all media for promotional and educational purposes. No recording or photography on the premises of the conference is allowed during the conference without prior written consent of the organiser.
  • In case of a person (delegate, exhibitor, visitor) infringing the overall interest/aim of the conference or infringing the interest of other delegates, companies or parties involved in the conference, the organiser is entitled to exclude the infringing person/company from the event after an oral or written warning by the HKOP directors show no adequate result. All respective costs in context of the infringement or exclusion are on the infringing person’s/company’s own responsibility. No liability in any way or any reason is taken by the organiser in this case.
  • Applicants are responsible for their own travel arrangements, including but not limited to flight and local transportation, accommodation, adequate insurance cover, as well as related visa procedures. Visa requirements for entry to Hong Kong vary according to the visitor’s country of origin.
  • While every effort will be made to adhere to the published programme, it may be necessary for reasons beyond the control of the organisers to alter the content, speakers, and/or timing of the programme without prior notice. Please check the website for the latest version of the programme.
  • Personal information collected will be held on a database and used for communication purposes. In some cases, related to the funding support to the conference, your details may be made available to the funding bodies or its related department for record.
  • In addition to the provisions mentioned above, these terms and conditions are subject to the laws of the Hong Kong Special Administrative Region.
Acceptance of all of the above terms and conditions is required in order to register for and participate in IMPACT 11.

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Acknowledgement

IMPACT 11 Team

 

International Steering Committee
  1. Marian CRAWFORD – Senior Lecturer, Monash University, Australia
  2. Paul Liam HARRISON – Lecturer/Researcher, Duncan of Jordanstone College of Art & Design, University of Dundee, Scotland
  3. Stephen INGGS – Professor, Michaelis School of Fine Arts, South Africa
  4. Kari LAITINEN – Head of Printmaking, School of Arts, Design and Architecture, Aalto University, Finland
  5. Beauvais LYONS – Chancellor’s Professor and Director of the Hokes Archives, University of Tennessee, US
  6. Carinna PARRAMAN – Professor and Director, Centre for Fine Print Research, UWE, UK
  7. Gabriel PENEDO – Director, SM Pro Art, Spain
  8. Kong Guo, QIAO – Professor and Chair, Zhejiang Printmakers Association, China
  9. Elaine SHEMILT – Professor, Duncan of Jordanstone College of Art & Design, University of Dundee, Scotland
  10. Dominic THORBURN – Professor and Head of Fine Arts Department, Rhodes University, South Africa

 
 

International Proposal Review Committee
  1. Katie BALDWIN – Associate Professor, The University of Alabama in Huntsville, US
  2. Sarah BODMAN – Senior Research Fellow and Programme Leader of MA Multidisciplinary Printmaking, Centre for Fine Print Research, UWE, UK
  3. An-gee CHAN – Lecturer, Academy of Visual Arts, Hong Kong Baptist University, HK
  4. Paul COLDWELL – Professor, Chelsea College of Arts, University Arts London, UK
  5. Marian CRAWFORD – Senior Lecturer, Monash University, Australia
  6. Paul CROFT – Lecturer, School of Art, Aberystwyth University, UK
  7. Claire CUCCIO – Former Chair, International Mokuhanga Conference 2017, USA
  8. Rhett D’COSTA – Program Manager BA & MFA – Hong Kong, School of Art, RMIT University, Australia
  9. Justin DIGGLE – Professor, Dept of Art & Art History, University of Utah, US
  10. FUNG Ho-yin – Executive Director, Hong Kong Open Printshop, HK
  11. Charlotte HODES – Professor, London College of Fashion, University Arts London, UK
  12. Mary HOOD – Associate Professor, Arizona State University, US
  13. Richard HARDING – Senior Lecturer, School of Art, RMIT University, Australia
  14. Paul Liam HARRISON – Lecturer/Researcher, Duncan of Jordanstone College of Art & Design, University of Dundee, Scotland
  15. Stephen INGGS – Professor, Michaelis School of Fine Arts, South Africa
  16. Elizabeth INGRAM – Professor, University of Alberta, Canada
  17. Michael KEMPSON – Senior Lecturer, Convenor of Printmaking Studies and Director of Cicada Press, UNSW, Australia
  18. Ralph KIGGELL – Vice-chair, International Mokuhanga Conference 2021, Japan
  19. Suzanne KLEIN – Associate Professor and EPSRC Manufacturing Fellow, Centre for Fine Print Research, UWE, UK
  20. LIM Chye Hong – Head of Education, Programmes, and Access, Singapore Art Museum, Singapore
  21. Cecilia MANDRILE – Centre for Fine Print Research, UWE, UK
  22. Yoonmi NAM – Professor, Department of Visual Art, The University of Kansas, US
  23. Marilene OLIVER – Assistant Professor, Art and Design Department, University of Alberta, Canada
  24. Gabriel PENEDO – Director, SM Pro Art, Spain
  25. Carinna PARRAMAN – Professor and Director, Centre for Fine Print Research, UWE, UK
  26. Ruth PELZER-MONTADA – Lecturer, Contemporary Art and Visual Culture, School of Art, The University of Edinburgh, Scotland
  27. Jo STOCKHAM – Professor and Head of Program, MA Print, Royal College of Art, UK
  28. Keith TAM Chi-hang – Head of Department of Communication Design and Director of the Centre for Communication Design, Hong Kong Design Institute, HK
  29. Dominic THORBURN – Professor and Head of Fine Arts Department, Rhodes University, South Africa
  30. YUNG Sau-mui – Programme Director, Hong Kong Open Printshop, HK

 
 

IMPACT 11 Working Committee
  1. An-gee CHAN – Lecturer, Academy of Visual Arts, The Baptist University of Hong Kong
  2. Kurt CHAN Yuk-keung – Acting Director, Hong Kong Art School
  3. Cybil CHIU – Art Consultant, Debut Studio
  4. HUNG Keung – Associate Professor, Department of Cultural and Creative Arts, The Education University of Hong Kong
  5. Daphne Alexis Ho – Creative Director, SAGE Communications
  6. FUNG Ho-yin – Executive Director, Hong Kong Open Printshop
  7. Liz LAU Win-wa – Director, LAUD
  8. Carol LEE Mei-kuen – Artist
  9. Keith TAM Chi-hang – Head of Department, Department of Communication Design, Hong Kong Design Institute
  10. YUNG Sau-mui – Programme Director, Hong Kong Open Printshop

 
 

Moderators
  • Katie BALDWIN – Associate Professor, The University of Alabama in Huntsville, US
  • An-gee CHAN – Lecturer, Academy of Visual Arts, Hong Kong Baptist University, HK
  • Paul CROFT – Lecturer, School of Art, Aberystwyth University, UK
  • Richard HARDING – Senior Lecturer, School of Art, RMIT University, Australia
  • FUNG Ho-yin – Executive Director, Hong Kong Open Printshop, HK
  • Louiza HO Yuen-yu – Associate Curator, Tai Kwun Contemporary, HK
  • Charlotte HODES – Professor, London College of Fashion, University of the Arts London, UK
  • Justin LARKIN – Artist and Printmaker
  • Krystie NG Kun-ee – Independent Researcher
  • Carinna PARRAMAN – Professor and Director, Centre for Fine Print Research, UWE, UK
  • Keith TAM Chi-hang – Head of Department, Department of Communication Design, Hong Kong Design Institute, HK
  • Lukas TAM Wai-ping – Associate Professor, The Chinese University of Hong Kong, HK
  • YUNG Sau-mui – Programme Director, Hong Kong Open Printshop, HK

 
 

IMPACT 11 Production
  • Production Direction: Loraine WONG Lok-wan
  • Production Management: Dorothy NGAN So-yan
  • Production Coordination:
    Koel CHU Ka-kiu
    Nicolas HO Sheung-yan
    CHUNG Sin-wa
    LAM Lok-san
    Alvin YIU
  • Web Design & Development: Wee Wung Wung
  • Visual Design: MAJO
  • Video Production : Sound Color Studio
  • Media Coordination : SAGE Communications

 
 

IMPACT 11 is

Presented by

 

 

In collaboration with

 

 

 

IMPACT 11 is financially supported by the Arts Capacity Development Funding Scheme of the Government of the Hong Kong Special Administrative Region.

 

 
 

Acknowledgement

Hong Kong Arts Development Council
Hong Kong Heritage Museum
Anonymous

 

Disclaimer

The content of IMPACT 11 does not reflect the views of the Government of the Hong Kong Special Administrative Region and the Hong Kong Open Printshop Limited.

The Government of the Hong Kong Special Administrative Region provides funding support to the IMPACT 11 only, but does not otherwise take part in it. Any opinions, fundings, conclusions or recommendations expressed in the materials/activities do not reflect the views of the Government of the Hong Kong Special Administrative Region and the Hong Kong Open Printshop Limited.

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